This fall, Weisman Art Museum (WAM) has launched a new service to enhance visitors’ access to the artwork and informat

Weisman Art Museum, at the University of Minnesota Twin Cities, invites applications for a Native American Artist-in-Residence. The call for artists opens today, August 1, and the deadline for applications is September 15. The residency period is slated to run from January 2025 - December 2026.

In 2009, Weisman Art Museum (WAM) established the Lisa & E. Gerald O’Brien Curatorial Fellowship. For over twelve years, the O'Brien Fellowship has been launching curatorial careers by enabling recent graduates to achieve their first paid curatorial museum staff position, as they consider continuing toward an advanced degree.

Have you ever imagined what it would be like to be able to touch the art at a museum? Conservators and preparators get to do just this as they delicately move, care for, and arrange the pieces in the museum’s collection. The WAM Collective spoke to Reggie Spanier, Preparator at WAM, about what it’s like to work with curators to design and build exhibitions. Designing an exhibition involves a lot of voices and hands coming together to make tough choices about where and how things should be displayed.

Every experience is a multi-sensory experience, whether we actively perceive it as such or not. Changes in sensory input, likewise, change our composite experience of the world. Even so, people with sensory loss are rarely consulted during the planning process of collective experience-creation; not included in the development of those experiences, people with sensory loss feel left out of them altogether. As the Weisman’s Director of Education, I am part of a collaborative team working to reimagine the way the museum engages with people who have sensory loss.

For their final program of the semester, the Weisman Art Museum’s student group, WAM Collective, convened a virtual roundtable with peer student advisory groups, the Student Advisory Council at the Tang Museum at Skidmore College, and the

I have an unusual job title: Curator for Creative Collaboration. This is not a position found in most art museums, and you might wonder why our museum has such a role.

The Sensory Loss and Art Symposium at the Weisman Art Museum (WAM) was the end result of my summer-long residency with the Center for Applied Translational Sensory Science (CATSS) at the University of Minnesota. All summer I met with scientists studying all facets of vision and hearing loss, and learned about their individual research interests. It became clear very early on in this process that only three of them (which, in a typical demographic of scientists, is actually quite a high number) have sensory loss themselves.