This July in the Edith Carlson Gallery, WAM opens State Your Intentions: New Works in the WAM Collection. The exhibition showcases not only notable recent additions to the collection but also the intentionality of WAM’s collecting practice. In 1981 when Lyndel King became the director and chief curator, she openly asserted her resolve to even the gender score by fervently collecting women artists. Today, WAM does have an outstanding number of women artists in its holdings. It was this uncommon aspect of the collection that attracted artist Edith Carlson. Carlson, originally from Minnesota and involved in both the New York and Santa Fe art scenes of the 1960s and 1970s, was searching for a home for her art when she found WAM. After reaching out and meeting with King, Carlson bequeathed her estate to the museum, including funds for the gallery named in her honor, which was part of the 2011 museum expansion.

This July in the Edith Carlson Gallery, WAM opens State Your Intentions: New Works in the WAM Collection. The exhibition showcases not only notable recent additions to the collection but also the intentionality of WAM’s collecting practice. In 1981 when Lyndel King became the director and chief curator, she openly asserted her resolve to even the gender score by fervently collecting women artists. Today, WAM does have an outstanding number of women artists in its holdings. It was this uncommon aspect of the collection that attracted artist Edith Carlson. Carlson, originally from Minnesota and involved in both the New York and Santa Fe art scenes of the 1960s and 1970s, was searching for a home for her art when she found WAM. After reaching out and meeting with King, Carlson bequeathed her estate to the museum, including funds for the gallery named in her honor, which was part of the 2011 museum expansion.

In contrast to Jones’s abstraction, Minneapolis-based Teo Nguyen takes a photo-realistic approach to depicting the landscape of the Upper Midwest. Nguyen says he is mesmerized by “the beauty that lies between the earth and sky,” and the horizon often dominates his paintings. In Untitled 13, distant buildings and trees seem swallowed up by snow-covered fields and the winter sky, strikingly evoking the vast expanses of rural Minnesota. Born in Vietnam, Nguyen has lived in Minnesota for a decade, and he remains fascinated by the flat landscape that is so different from his country of birth. He believes that his outsider status helps him to appreciate aspects of the land that native Midwesterners might overlook, calling attention to its openness and tranquility.

Other works on view are examples of international contemporary art, including Take Me Deeper II by Zimbabwean artist Portia Zvavahera and Blue Kffiyeh by Israeli artist Tsibi Geva. Alec Soth’s Green Island, Iowa, adds to WAM’s strong historical and contemporary Minnesota artists collection. Sam Gilliam's Marathon series helps build our holding by African American artists. And, of course, Iva Gueorguieva and Zvavahera strengthen WAM’s ever-growing collection of works by women artists. This is not the entire picture of WAM’s collecting goals and strategies, but with all of the works in this exhibition having formally entered our collection during the past three years, State Your Intentions is both a compelling snapshot of and report on the museum’s progress on collecting with intention.