Through the activities and exhibitions of the Target Studio for Creative Collaboration, the Weisman facilitates and supports artist-led, collaborative initiatives that foster social change and address systemic challenges, such as mass criminalization, access to healthcare, and the climate crisis. Acknowledging the fundamentally cultural roots of societal challenges, we believe in the power of artists as culture bearers and drivers of change. We also believe that change-making action is more effective when artists and non-artists combine creative powers. Therefore, our goal is to facilitate sustained cross-culture collaborative practices that bring about systemic change.

Fueled though it is by the scholarly and artistic abundance of its academic and urban communities, the Target Studio operates outside the rigid academic structures that govern university departments. WAM holds a unique, middle ground between the arts and research that allows its artists, scholars, and community members the freedom to embrace unorthodox approaches to knowledge and culture, and to support ambitious artistic initiatives that cross disciplines, sectors, institutions, cultures, and geographies. We embrace the full potential of this freedom and establish a platform of support for systemic creative initiatives that are not traditionally effectively supported by museums. 


The Habitability Project >>

 

Launched in Fall 2020 – Habitability.art

For many of us, this time of ‚Äúsocial isolation‚ÄĚ is challenging. Habitability.art is a collectively created social network for the pandemic. We hope that by sharing pictures and poetic reflections, what we see and how we feel, we will all learn about things we care about in places we live: things to be gained in this new world and things we stand to lose.

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Brooks Turner: The Legends and Myths of Ancient Minnesota >>

 

On Oct. 25, 2020, 36,000 Twin Cities subscribers of the¬†Star Tribune¬†newspaper received the ‚ÄúLegends and Myths of Ancient Minnesota‚ÄĚ an exhibition-in-print by Brooks Turner. The 32-page publication combines reproductions of original artworks with archival materials related to the Nazi following in Minnesota in the 1930s.

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States of Control >>

Khalid Albaih, ‚ÄúDictator‚Äôs Bitches,‚ÄĚ cartoon, 2017.

 

An ongoing curatorial project into media technologies used to manipulate publics, presented at WAM by the curators collective TOK (St Petersburg, Russia).

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The Big River Continuum >>

The Itasca Biological Station. Image: Jonathan Schilling

 

It is one thing to know about a river, and yet another altogether to consider the river itself as a way of knowing. By linking communities at the headwaters and delta of the Mississippi River, the Big River Continuum cultivates dynamic exchanges and connections for artists from both regions to create and define in collaborative residency programs that ignite inquiry into the interconnectedness of cultures, research and river/land environments. This project is a creative exchange with University of Minnesota’s Itasca Biological Station at the Mississippi headwaters, the Weisman Art Museum and the Curator for Creative Collaboration and Tulane University’s A Studio in the Woods in the Mississippi Delta. 

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More Artist Initiatives at the Target Studio:

Wafaa Bilal: The Library as Social Sculpture >>

Rebecca Merblum: Conversations for Duet with Cello >>

Shanai Matteson: Ways of Knowing Water >>

Rosy Simas: she who lives on the road to war >>

Art and Health >>


The Collaboration Incubator

Artists in the Collaboration Incubator program commit to short-term projects intended to lay the foundation for a longer term relationship of the artist with academic collaborators. Artists are given a stipend and a project budget to spend time in the University, establish networks, use the Target Studio to advance the project, and prepare project proposals to seek future funding.  The ultimate goal of the program is to establish a collaboration that will evolve into a long-term relationship.

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