November 25, 2020
At an accessions meeting at Weisman Art Museum (WAM) in December 2019, committee members voted to bring Cara Romeroās TV Indians into the permanent collection. With funds gifted by Russell Cowles, WAM purchased Romeroās striking photograph from the Bockley Gallery (Minneapolis, MN), where the work was on view for her solo exhibition, Jackrabbit &…
November 24, 2020
Upon entering Vesna Kittelsonās North Loop Minneapolis studio, you notice that her space is populated with the faces of Young Americans. The painted portraits, slightly larger than life, are unfettered by frames and hung directly on the wall, most of them at eye level or just above. You canāt help but meet their gazes;…
May 6, 2020
Real Colorful Creatures Iām reminded of the crisp new pages of my inexperienced youth, quickly turned into crumpled corners, faded lines, ripped edges. Iām reminded of the boundless possibilities that arise from a single plot. A plot that has a rise and a fall, with an ending that comes too soon. Iām reminded of Where…
May 6, 2020
Around Here āTime? What is time? We donāt have that around here,ā she says. But how then, I thought, can I compare yourself to me? No number to make us seem similar, no skin wrinkle, hair color, or light amid your eyes. The balance of unbalanced strings lapping against bright plywood, yellow coated and a…
May 6, 2020
How My Husband Makes a Jackson Pollock As for paint, any kind of object filled with non-solid matter will suffice. They need to fit comfortably in his hand, which means bigger than a gum ball but smaller than a cantaloupe. But also neither if itās late enough or early enough or both. Perfume, hot sauce,…
May 6, 2020
Situated Between a Hamlet and a Village If there was noise in the void, it would sound like the snow kicked up softly by the wind on the countryside. Empty. Cold. Colorless. Nauseating. Thereās no separation between the ground and sky, expelling the urge to take one step further. A treeās shadow is disgusting because…
January 15, 2020
Luminous swaths of green, yellow, and purple spread and seep through the surface of the canvas, capturing the attention of gallery visitors. The paint still looks alive with movement nearly fifty years after its deployment. The brilliant colors captivate viewers immediately, but after observing for a minute or two, one may be inclined to ask,…
November 19, 2019
In honor of Native American Heritage Month, we are featuring Indigenous artists and their work that we hold in our permanent collection on our blog, social media, and Collection Highlight E-Newsletters. Our intention is to both recognize the varied contributions of Indigenous artists while acknowledging how their works are disproportionately underrepresented in museum collections nationwide,…
November 5, 2019
In honor of Native American Heritage Month, we are featuring Indigenous artists and their work that we hold in our permanent collection on our blog, social media, and Collection Highlight E-Newsletters. Our intention is to both recognize the varied contributions of Indigenous artists while acknowledging how their works are disproportionately underrepresented in museum collections nationwide,…
August 20, 2019
To make Wood Collage: Landscape, George Morrison collected driftwood and fit the pieces together to form what he described as a āpainting made of wood.ā He assembled a loose grid structure, with the smaller fragments seeming to coalesce into squares, divided by beams that stretch across the composition. In places, the texture of the wood…